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Drum N Bass
Make Shift Fanu vs Dodz MSR02 VINYL 2008 sour[TheSurgeons org]
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\ /: _\ rippers /____: release no ( 10032 ) \ rating |: \_____. |: artist (Fanu vs Dodz ) | .---. |: title (Jungle Got No Ranks / Pensive ) | 0 | | |: record label (Make:Shift (MSR02) ) | 9 | | |: genre (Drum & Bass ) | 8 |%%%| |: release date (2009/03/15) | 7 |%%%| |: street date (2008/??/??) | 6 |%%%| |: | 5 |%%%| |: media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |: cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |: | 2 |%%%| |: | 1 |%%%| |: (02 tracks) (13:47 min) ( 21,1 mb) | `---' |: `----------': _. ____ ____ ____ __
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|_____|__|__|_____|_____|__|__|: | :: nr times track titles
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| A 6:53 Fanu - Jungle Got No Ranks |
| B 6:54 Dodz - Pensive (3am Hug A Stranger Rmx) |
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| | Info from the label: | |
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| | "The Suomi purveyor of all things percussion, | |
| | the mighty Fanu makes his Make:Shift Records | |
| | vinyl debut with "Jungle Got No Ranks". The | |
| | haunting vibe, deep reggae vocal, crunchy | |
| | drums and bass deep enough to swallow | |
| | Scandinavia perfectly exhibits the quality | |
| | dance floor beats Fanu is known for. Surely a | |
| | track like this could save any hack dj from | |
| | clearing the floor. So do yourself a favour | |
| | and grab this piece of "emergency go to wax". | |
| | 10% of sales go to the "Fanu Independence | |
| | Movement", fighting for a sovereign | |
| | drum-oriented Fanu based nation within | |
| | Finland. C'mon, do the right thing. | |
| | | |
| | Our own super-human Dodz keeps the Make:Shift | |
| | Industrial Complex moving full steam ahead | |
| | with his very first appearance on the black | |
| | crack. Dodz delivers a smashing piece of | |
| | melodic-amen-hands-in-the-air-rave-til-dawn- | |
| | steal-your-sisters-piggy-bank-to-buy-this- | |
| | record Drum & Bass!! On Ebay it could be | |
| | listed as "Bukem Rare", but so does | |
| | everything it seems. We invite you to | |
| | strengthen your love for melodic jungle | |
| | beats." | |
| | | |
| | Make:Shift Records is a collaborative effort | |
| | between a group of DJs, producers, graphic | |
| | designers, wax peddlers and otherwise driven | |
| | people working to push drum & bass into new | |
| | directions and new territories. Including | |
| | C64, Dodz, Outline and Dubsta. | |
| | | |
| | | |
| | Note: | |
| | In case you wonder, the Fanu track has a | |
| | couple clicks that are inherent to the sample | |
| | he used, so its not down to the pressing | |
| | or anything. | |
| | | |
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| | | | | | | | | | | | d i s c l a i m e r: |
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| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
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| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
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/____________________|: sour productions(c) 1999-2009